African Songs and Chants

Songs of Africa for Upper Voices Set 1: Vocal score Sheet music – May 10, 2012

Fred Onovwerosuoke

$8.95

Description for SA (plus lead voice) and percussion Following the success of Songs of Africa (for mixed voices), Fred Onovwerosuoke presents six authentic arrangements of African songs scored for upper voices and percussion. Published in two small collections – this set for SA and the second for SSA – the songs originate from a variety of locations, including Zimbabwe, Botswana, Nigeria, and the Republic of Benin. With texts to celebrate an assortment of themes, such as harvest, Christmas, play/leisure, and marriage, these arrangements are sure to delight all choirs looking for something a bit different. An English translation and a pronunciation guide are provided for each publication.

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Score

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Description Delightfully multicultural music setting of the Kyrie, Gloria, Acclamation, Credo, Sanctus and Agnus Dei. Already being acclaimed as a must-have for choral groups in 2012!

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Description New book & accompanying CD combo. Order now and save! G. Foli Alorwoyie is the founder and artistic director of the Afrikania Cultural Troupe of Ghana, West Africa, member of the Ethnomusicology Association, and member of the Council of Elders, Dance Africa Chicago. He has worked with notable scholars and composers such as David Locke, John Chernoff, and Steve Reich. He held positions at the State University of New York, College at Brockport, the American Conservatory of Music and the Old Town School of Folk Music in Chicago before joining the University of North Texas faculty. He is the founder and artistic director of the Chicago-based African-American Unity Ensemble and a member of the advisory council of the African Music Caucus and Percussive Arts Society. Today, he is most sought after as visiting professor, lecturer, or consultant on the subject for which his name has become synonymous. In this collection, Professor G. Foli Alorwoyie has collaborated with Dr. David Locke, professor of musicology at Tufts University, to lay down for intending practitioners to follow, a methodic revival of the "old school" style of Agbadza music tradition – one in which song and drum are intimately intertwined. They have designed this text to be deliberate, pedagogic and easy to follow by experienced music scholars and music enthusiasts, alike.

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